Rounding the Friction bonanza is an album that became one of the most sought after records in Japanese rock. As mentioned before in my "Atsureki" post 3/3 (Sanbun No San) were a pre-Fiction band formed before the members relocated to New York in search of inspiration and glory. The reason this album became so sought after was because it was self recorded and only 10 handmade demo records were ever made. The band never got picked up by a label and so the album was swallowed up by the great rock'n'roll ether. After Frictions rise in popularity fans went in search of this holy grail and for many years the only way to get hold of the album was via a dodgy bootlegger who had obtained a cassette recording of the record and re-pressed it on vinyl complete with incorrect album artwork and track titles. Thankfully P-Vine in their reissue series have found one of the original vinyl prints, remastered it and as an extra bonus also uncovered a selection of previously unheard live recordings.
Disk 1 is the original 3/3 album with 2 added bonus tracks recorded during the same recording sessions. The album recorded in 1974 was very much of its time. Full on psychedelic rock'n'roll with some very impressive fret work that betrays the minimal sound the band later established with Friction. Disk 2 is a series of live recordings dating back to '76 and '77. Most intriguing is the inclusion of tracks like "Crazy Dream" that would later go on to become Friction staples. It's interesting hearing the evolution of the tracks from their earliest forms to how they were later represented in Friction. The pre and post-New York influence on their music being immediatley recognisable.
Not the musical milestone Friction would later become but none the less an excellent if not terribly original record and an essential listen for Friction fans who want a glimpse of how the band developed their distinct sound over the years.
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Welcome! ようこそ!
I set up this blog to hopefully introduce those outside Japan to some of Japan's best music and a taste of Osaka and Kyoto's thriving underground music scene.
Alot of what I post will be CDR's and CD's sold by bands on the Kyoto/Osaka live circuit. Hopefully giving a little exposure to the bands outside Japan. The rest will be Japanese bands from pretty much any and every generation and genre. From 60's Rock'n'Roll and folk to 00's noise and electronica.
If anyone has an issue with me uploading their music please contact me and I'll remove the links immediatley. My intention is to introduce this music to new audiences. So please help support these bands by buying their releases or catching them live if you have the opportunity. Alot of these guys are working full time jobs on top of making great music. Please send comments, complaints, recommendations and seasonal greetings to stinkinhippy@hotmail.com
Alot of what I post will be CDR's and CD's sold by bands on the Kyoto/Osaka live circuit. Hopefully giving a little exposure to the bands outside Japan. The rest will be Japanese bands from pretty much any and every generation and genre. From 60's Rock'n'Roll and folk to 00's noise and electronica.
If anyone has an issue with me uploading their music please contact me and I'll remove the links immediatley. My intention is to introduce this music to new audiences. So please help support these bands by buying their releases or catching them live if you have the opportunity. Alot of these guys are working full time jobs on top of making great music. Please send comments, complaints, recommendations and seasonal greetings to stinkinhippy@hotmail.com
Showing posts with label 70's. Show all posts
Showing posts with label 70's. Show all posts
Saturday, 18 June 2011
Friday, 22 April 2011
Asakawa Maki - Askawa Maki II (浅川マキ - 浅川マキ II)
Haven't posted any old stuff in quite a while and I heard this playing in a bar recently which reminded me of how much I love this album. Asakawa Maki started off her musical career singing blues and jazz covers at the U.S. army bases situated on Japan's most southern island of Okinawa. She produced a number of excellent albums in the late 60's and early 70's which earned her a fair amount of mainstream success before she vanished back into relative obscurity of Japan's 70's underground avant garde scene. Asakawa's music fuses laid back blues and jazz with elements of Japanese folk music and acid folk to create hauntingly beautiful, dark smokey ballads. Asakawa continued to perform regularly untill her death early last year. Asakawa Maki II released in 1971 is in my opinion her best work and without doubt a standout even in Japan's most golden era of music. Since her death there have been a number of compilations released of previously unreleased material and live recordings which are also worth investigating.
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Sunday, 8 August 2010
Yoshida Takuro - Genki Desu (吉田拓郎 - 元気です)
Takuro is one of Japans best known folk singers and part of the 60's folk boom. This is probably my favourite of his many albums. Originally released in 1972 Takuro must have been listening to alot of post-electric era Bob Dylan as the influence is obvious. While it almost borders on the line of parody (Especially in the opening track "Haru datta ne") it's by no means a bad thing.
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