The Autopsy Report of a Drowned Shrimp - Himitsu Daigaku Vol.4 (溺れたエビの検死報告書 - ヒミツ大学第四回)

O is for Oboreta Ebi No Kenshi Houkokusho

Oboreta Ebi or the bands official English translation The Autopsy Report of a Drowned Shrimp are a band that even amongst Kansai's legion of off-the-wall eccentrics are in an oddball league entirely of their own.

Oboreta Ebi are the brainchild of visual artist and contra-bass player Yamamoto Kazuki (山本一慶). Kazuki developed a childhood obsession with "kaiju" (monsters) from Japanese movies and TV shows like Godzilla, Ultraman and Kamen Rider and dreamed of one day forming his very own kaiju band. Young Kazuki spent hours sketching designs and concepts in his school notebook before eventually settling on the idea of creating a band of monster shrimp. Fascinated by their alien-like exoskeletons he began making his own masks and costumes. But the concept didn't end there. Kazuki also wanted the band to sound like the sort of music one might a imagine a group of overgrown, sentient prawns making. 

So what sort of music do shrimp make? As it turns out they sound like a sort of cinematic, nautical themed P-Funk mixed The Residents and the Star Wars cantina band.In fact Kazuki's own dreadlocked shrimp mask is a tribute to to the grand wizard of funk himself George Clinton. Kazuki's frantic slapped basslines form the backbone of the crustean 7-pieces groove accompanied by a polyrhythmic percussion section and some grandiose horns. The bands also draws the inspiration for its name from the Frank Zappa album "Ship Arriving Too Late to Save a Witch".

The bands been together for over 10 years now in various evolving forms and have just recently put out their first proper release on Osaka underground label Gyuune Cassette which you can get here.

I won't be uploading that so the best alternative I could think of was to rip the audio from a DVD the band gave away at a talk show/performance I attended about 2 years ago. What you get is 3 tracks and over 15 minutes of decent audio quality music from one of the most unique and entertaining bands in Japan. Be sure to catch them live if you have the chance for and experience you won't forget.

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Neons - Yasashii Jinbutsuga (ネオンズ - やさしい人物画)

N is for Neons

There were a couple of strong choices for N but I decided to go with Neons when I found out they've just put out their first mini-album which you can get from Amazon.

3 girls, 1 guy, 3 synthesizers, 1 drum. This Electro New-Wave synth driven 4 piece formed in 2010 possess that uniquely Japanese sense of cool that these small mountainous islands seem to do so well. The cold robotic like emotional detachment coupled with satisfyingly chunky grooves that defy you to but on your finest Miami Vice Hawaiin shirt and sleekest white slip-on dancing shoes.        

3 of the tracks from this demo CDR which I picked up from the band just over a year ago make it onto the album. The recordings sound like they were made during studio rehearsals but besides a little fuzzyness are excellent quality. Be sure to pick up their album if you like what you hear. 

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Momoiro Jinja - Maido Osawagaseshite Orimasu! (桃色神社 - 毎度おさわがせしております!)

M is for Momoiro Jinja

Momoiro Jinja (Their name literally meaning "peach coloured shrine".) are a so called "Neo-Scum" band. A colourful little Osaka sub-genre that seems to have a cozy membership of 2. The other being Clitoric Ris. A half naked balding salary man who sings cheesy pop songs about sex, food, ex-girlfriends and being broke in nothing but a pair of light-up speedos with a crotch mounted theremin.

Inspired by the Osaka Scum scene that kicked off some time in the early 90's (See my previous post about Ultra Fuckers for more on Scum.) these guys have been knocking about for over 10 years now. No small feat for a genre that's transient and fleeting nature means few bands stick around long enough to establish a name or following.

The Osaka trio (Drums. bass, keyboard) play tongue in cheek No-Wavey, Hardcore Punk. The drums and bass combine to form a solid rhythm section for keyboard player Wandera's discordant mashed keys. The band break up their live sets with their signature comedy sketches which are usually either random and bizarre or vulgar and crude or often both in extreme doses. The bands lyrics follow in similarly silly fashion. Momoiro are a band who take not being serious very seriously.

This is the bands first self-released CDR from 2008. The band recently put out their second CDR entitled "Prius" which you can get hold of by contacting the band or picking it up at their live shows.

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Love Furniture Lounge Bears - Love Furniture Lounge Bears from AGRA

L is for Love Furniture Lounge Bears

Unfortunately I don't know much about this merry little collective of eccentrics. What I do know is that they were (are?) a 3-piece Tokyo band who perform wigged out experimental pop music in adorable fluffy bear costumes. The album was released in 1999 on a label called Club Lunatica. The label is Japanese but is also home to a number of international acts. The label still looks like it's relatively active but the band themselves have no internet presence besides a handful of videos on Youtube.

The Lounge Bears for the most part produce some toe-tappingly up-beat, off-kilter pop tunes slightly reminiscent of Japan's 80`s Techno Pop pioneers like YMO, The Moon Riders, Hikashu and Plastics. The band do occasionally go off the rails though so you will be forgiven for hitting the skip button when that 4 minute long track of telephone rings and dial tones kicks in. Probably fun to see it live but on CD it just kind of breaks up the run of otherwise great songs.

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Kukan Gendai (空間現代) - Live@UrBANGUILD/20110923

K is for Kukan Gendai

kuukan (空間) 

noun

space, room, airspace

gendai (現代)

noun, adverbial noun

nowadays, modern era, modern times, present-day

The bands name does a pretty good job of evoking just what this bands music embodies and manifests itself as. It's a phrase that is semiotically hard to define and comes across more pretentious and sterile than it does insightful or provocative. 

 "Sterile" is usually an adjective that would have a very negative connotation when attached to a bands sound but it's sterility and minimalism that make this band so compelling to listen to. The Tokyo 3-piece (Drums, Bass, Guit/vocal) formed in 2006 and through the years have refined their unique sound to a mechanical level of precision. Shaving off every excess and grinding down every smooth edge until only the jagged skeletal remains of the track are left. If Battles, Don Caballero and Japan's own Toe are Math Rock then these guys are pretty much just a digital stream of ones and zeros. 

This live CD-R was given away with copies of their recently released second album on their most recent tour. The CD's opening track perfectly introduces the bands sound. Sparse polyrhythmic elements slowly come together to reveal a cohesive groove as the track seems to construct itself from the ground up like a mechanised assembly line. The band throw in masterful little  extra half beats and phrase repetitions that sound like your CD is skipping just to fuck with you. It's not all souless robotics though as periodically Captain Beefheart-esque asynchronous, atonal vocal and guitar lines weave their way through through the bands maze of rhythms and every once in a while they cut loose just to let you know they still know how to rock out. 

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Jinrui Minna Kyoudai - Tora! Tora! Tora! (人類皆兄弟 - トラ！トラ！トラ！)

J is for Jinrui Minna Kyoudai

I first saw this band at a gig in Kyoto about a month ago. The band seemed unphased by being given the closing slot in an impressive lineup of bands that included live veterans such as Ultra Bide and Melt Banana. Their decently produced 10 track CD-R named "Tora! Tora! Tora!" after the infamous code-word used by the Japanese in their surprise attack on Pearl Harbor was only 100 yen ($1!) so how could I resist?

The band whose name roughly translates as "All Men are Brothers" (Jinrui = Humankind, Minna = Everyone, Kyoudai = Siblings) are a Kyoto 4-piece who look like they've been together since 2009. But despite what their moniker might imply these fuzzed-out, sleazy punksters sound about as far removed from their hippyish, free love namesake as you can possibly imagine.

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Ichi - Mono

I is for Ichi

Ichi is the Pseudonym/solo project of multi-instrumentalist and artist Eiichi Shimasaki. Born in Osaka and raised in nearby Nagoya Eiichi is best known for his work as steelpan drummer with long standing eclectic, world music influenced rockers Nohshintoh. Eiichi performs delighful one man shows that utilize everything from accordions, steel drums, ping pong balls, typewriters and toothbrushes to his own hand crafted instruments like his glockenspiel-contrabass hybrid.  

Charming seems the most appropriate adjective to use when describing Ichi's music but doesn't really seem to do justice to just how marvellously charming his music and performances actually are. Fusing a wide range of World Music influences with field recordings and some light Jazz. Ichi comes off a little bit like a more ambient, slightly more psychedelic sounding Manu Chao. All sung in his bizarrely cartoonish high pitched muppet jibberish. This is Ichi's first studio which was released back in 2005 but he also released a second album entitled "Memo" in 2010. Ichi regularly plays plays shows in the UK and Europe so catch him if you have the chance. You won't forget it.

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